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The Journals of Susanna Moodie: PoemsBy Margaret Atwood
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This cycle of poems is perhaps the most memorable evocation in modern Canadian literature of the myth of the wilderness, the immigrant experience, and the alienating and schizophrenic effects of the colonial mentality. Since it was first published in 1970 it has not only acquired the stature of a classic but, reprinted many times, become the best-known extended work in Canadian poetry.
Susanna Moodie (1805-85) emigrated from England in 1832 to Upper Canada, where she settled on a farm with her husband. She wrote several books in Canada, notably Roughing It in the Bush, a famous account of pioneering that is still widely read. In poems about the arrival and the Moodies' seven years in the bush, which were followed by a more civilized ilfe in Belleville, and about Mrs Moodie in old age and then after death - in the present, when she observes the twentieth century destroying her past and its meaning - Margaret Atwood has created haunting meditations on an English gentlewoman's confrontation with the wilderness, and compelling variations on the themes of dislocation and alienation, nature and civilization.
The poems are supplemented by Margaret Atwood's collages and an 'Afterword' in which the poet says: 'We are all imigrants to this place even if we were born here....'
- Sales Rank: #202856 in Books
- Published on: 1970-08-15
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x .20" w x 8.63" l, .26 pounds
- Binding: Paperback
- 64 pages
Amazon.com Review
The poetic/artistic exploration of what it means to find yourself thrown into a hostile environment, these poems by Margaret Atwood and silk-screen illustrations by Charles Pachter are based on the journals of Canadian pioneer Susanna Moodie. The setting allows Atwood to write cutting lines about the fundamental tensions in creating and defining a self. One such tension, the assertion of will on the world as well as on one's self, set against the spirit-crushing tribulations of loneliness and hopelessness, is especially electric. The Journals of Susanna Moodie is a beautiful and hypnotic book.
Review
"The poetry is moving, readable, engaging, and beautifully printed with Pachter's powerful, expressionistic, and highly original images.…A wonderful complement of poetry and visual art; Susanna Moodie's story is not lost in this burst of virtuosity."
–Peterborough Examiner
"A fascinating and captivating marriage of text and graphics.…Begun as a private collaboration that bears witness to a deep and lasting friendship, this handsome, reasonably priced facsimile edition is the perfect gift for the lover of literature."
–Kitchener Waterloo Record
From the Inside Flap
The landmark collaboration of two pre-eminent Canadian artists in an attractive, affordable format.
As fledgling artists in their respective fields, Margaret Atwood and Charles Pachter were enthusiastic collaborators in a unique art form, the livre d'artiste ? the marriage of original graphic work with literary text. Beginning in the mid-sixties, while both were still students, they worked together on five limited-edition handmade books, volumes of Atwood?s poetry with Pachter?s interpretive artwork. The culmination of their collaboration, the work that is considered their masterpiece, is The Journals of Susanna Moodie. In her reading of Susanna Moodie?s chronicles of pioneer life in nineteenth-century Canada, Atwood found the haunting and timeless themes that still obsess us.
The poems of The Journals of Susanna Moodie were first published in 1970 in a standard format. This sequence of poems is regarded as a classic, in addition to being connected with her later novel, Alias Grace. In 1980, Pachter was able to add his own vibrant, evocative images and create the version they had dreamt of: a hand-set, hand-printed illustrated limited edition of 120 numbered copies.
This popular edition is a faithful re-creation of the original, accompanied by an introductory memoir by Pachter, describing his friendship with Atwood and the creative process behind this breathtaking work, and a foreword by David Staines, who pays homage to Atwood, Pachter, and Moodie and their central places in our art and literature.
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